{"id":293,"date":"2012-07-17T15:48:44","date_gmt":"2012-07-17T14:48:44","guid":{"rendered":"http:\/\/www.gotsuko.com\/?page_id=293"},"modified":"2024-02-20T00:50:46","modified_gmt":"2024-02-19T15:50:46","slug":"profil","status":"publish","type":"page","link":"https:\/\/www.gotsuko.com\/en\/profil\/","title":{"rendered":"CV"},"content":{"rendered":"<p><\/p>\n<table>\n<tr>\n<td colspan=\"2\"><strong>Artist statement<\/strong><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">Dreams are like strange stories, landscapes, our memory builds unconsciously. I draw what comes up from our unconscious, like hidden feelings reflected in our dreams.<br \/>\nSince my studies in France (2007-2009), and also after experiencing the earthquake of March 2011 in Japan, I strongly felt, and was made aware of how the Japanese viewed selflessness, resignation and obedience as virtues.<br \/>\nI feel that Japanese live in the middle of a wide emptiness, locked up inside their imaginary cocoon, calm and sincere, but quietly desperate.<br \/>\nAs a Japanese myself, I draw imaginary landscapes seen from the inside of this world.<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><strong>GOTO Atsuko<\/strong><\/t><\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td>2009-2010<\/td>\n<td>Studied materials and techniques of oil painting at the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td>2007-2008<\/td>\n<td>Studied art at the National School of Fine Arts in Paris<\/td>\n<\/tr>\n<tr>\n<td>2006-2007<\/td>\n<td>Studied materials and techniques of oil painting at the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Price &#8216;O-shi&#8217;<\/td>\n<\/tr>\n<tr>\n<td>2005<\/td>\n<td>International Art Prize &#8216;Taki Fuji&#8217;<\/td>\n<\/tr>\n<tr>\n<td>2004<\/td>\n<td>Prize &#8216;Ataka&#8217;<\/td>\n<\/tr>\n<tr>\n<td>2002-2006<\/td>\n<td>Studies painting at the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">Born in 1982 in Tokyo<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><u>Solo exhibitions<\/u><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td>2023<\/td>\n<td>\u201dMelancholy Festival\u201d \/ Beinart gallery \/ Melborne<\/td>\n<\/tr>\n<tr>\n<td>2022<\/td>\n<td>\u201cGENZO KITAN -mad-\u201d\/ Gallery KOGURE \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>\u201dGENZO KITAN \u2013 Daydream -\u201d The Exhibition for GOTO Atsuko Painting works \u201cGENZO KITAN\u201d\u3000\/ : MARUZEN Marunouchi main store \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2019<\/td>\n<td>&#8220;Fairy tales are dreaming by itself&#8221; \/ Gallery KOGURE \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2018<\/td>\n<td>&#8220;The happy prince&#8221; \/ Gallery KOGURE \/ New york<\/td>\n<\/tr>\n<tr>\n<td>2017<\/td>\n<td>&#8220;The silence of idols&#8221;\/ Thinkspace gallery,L.A, USA<\/td>\n<\/tr>\n<tr>\n<td>2016<\/td>\n<td>&#8220;An empty idol&#8221;\/ LOWER AKIHABARA<\/td>\n<\/tr>\n<tr>\n<td>2016<\/td>\n<td>&#8220;Dreaming Monster&#8221;\/ MITSUKOSHI Nihonbashi art salon<\/td>\n<\/tr>\n<tr>\n<td>2014<\/td>\n<td>\u201cPray and curse\u201d at LOWER AKIHABARA \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2014<\/td>\n<td>\u201dEverything is fake \u201cat Art space \u221e Ginza MITSUKOSHI \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2012<\/td>\n<td>\u201cFriendly reticence\u201d at the gallery of  SEIBU Ikebukuro \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2012<\/td>\n<td>\u201dUnable to wake up from a dream\u201d at LOWER AKIHABARA \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2009<\/td>\n<td>\u201dGOTO Atsuko\u201d at Galerie Etienne de Causan \/ Paris, France<\/td>\n<\/tr>\n<tr>\n<td>2008<\/td>\n<td>\u201dfugue\u201d at Gallery OPEN DOOR \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2007<\/td>\n<td>\u201dDay dream\u201d at Gallery OPEN DOOR \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><u>Group exhibitions<\/u><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td>2023<\/td>\n<td>&#8220;POSITIONS Berlin Art Fair&#8221; \/  Tempelhof Airport \/ Berlin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Ephemeral ~ Territory of girls 2023&#8221; \/  Jiro Miura gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;TOBI Art Fair 2023&#8221; \/ Tokyo art Club \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2022<\/td>\n<td>&#8220;One world&#8221; \/ Gallery Suchi \/ \u6771\u4eac<\/td>\n<\/tr>\n<tr>\n<td>2021<\/td>\n<td>&#8220;Ephemeral ~ Territory of girls 2021&#8221; \/  Jiro Miura gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Little Prince 75TH ANNIVERSARY GROUP SHOW&#8221; \/ Corey Helford gallery \/ Los Angeles<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;\u2013 AYAKASHI \u2013&#8221; \/ Bunkamura Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Four Graces&#8221; \/ HAKKENDO Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Art Fair TOKYO 2021&#8221; \/ Tokyo International Forum, Gallery KOGURE Booth\/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;LUCID 2021&#8221; \/ Beinart Gallery \/ \u30e1\u30eb\u30dc\u30eb\u30f3<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Ran-Syo-Ho-Shu vol.5,6&#8221; \/ Gallery MUMON \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;SHABAKE&#8221; \/ Gallery KOGURE \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2020<\/td>\n<td>&#8220;KON&#8221; \/ Museum of Contemporary Art Bangkok \/ Bangkok<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;KISSAKI&#8221; \/ MITSUKOSHI Contemporary gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;House of the Rising Light&#8221; \/ Dorothy circus gallery \/ Rome<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Bijin-Ga Borderless II Publication Commemorative Exhibition&#8221; \/ Jiro Miura Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Pavillion des papillons&#8221; \/ DORADO Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2019<\/td>\n<td>&#8220;ephemeral 2019&#8221; \/ Jiro Miura Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;GENSO&#8221; \/ Gallery KOGURE \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Art Fair TOKYO 2019&#8221; \/ Tokyo International Forum, Gallery KOGURE Booth\/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2018<\/td>\n<td>&#8220;ELYSIUM&#8221; \/ Thinkspace Gallery, L.A, USA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ART021 SHANGHAI 2018&#8221; \/ \u4e0a\u6d77\u5c55\u89c8\u4e2d\u5fc3\u3000(\u30ae\u30e3\u30e9\u30ea\u30fc\u5c0f\u66ae\u30d6\u30fc\u30b9) \/ Shanghai<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Silver Drop II&#8221; \/ SEIZAN Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;YIA art fair Paris&#8221; \/ Le Carreau du Temple\u3000(Gallery KOGURE Booth) \/ Paris<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;LIONCEAUX RENAISSANCE 2018&#8221; \/ MITSUKOSHI Art Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Rose&#8221; \/ NAGAI Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ART STAGE SINGAPORE 2018&#8221; \/ Marina Bay Sands (Gallery KOGURE Booth) \/ Singapore<\/td>\n<\/tr>\n<tr>\n<td>2017<\/td>\n<td>&#8220;PAGES FROM MIND TRAVELERS DIARIES&#8221; \u2013 Group Exhibition for Dorothy Circus Gallery\u2019s 10 years \/ Dorothy circus gallery \/ Rome<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Passion&#8221; \/ Gallery KOGURE \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ephemeral 2017&#8221; \/ Jiro Miura Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;MITSUKOSHI Art 110th Anniversary Exhibition -HOPES-&#8221; \/ MITSUKOSHI Art Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ART STAGE JAKARTA 2017&#8221; \/ Sheraton Grand Jakarta Gandaria City Hotel (Gallery KOGURE Booth) \/ Jakarta<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ART STAGE SINGAPORE 2017&#8221; \/ Marina Bay Sands (Gallery KOGURE Booth), Singapore<\/td>\n<\/tr>\n<tr>\n<td>2016\u5e74<\/td>\n<td>&#8220;ART STAGE SINGAPORE 2016&#8221; \/ Marina Bay Sands (Gallery KOGURE Booth), Singapore<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;TEWAZA \u2162&#8221; \/ MITSUKOSHI Art Gallery<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Silver Drop I&#8221; \/ SEIZAN Gallery<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;3331 Art Fair 2016 -Various Collectors Prizes\u2012&#8221;\/ 3331 Arts Chiyoda<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Group Exhibition &#8211; Technic and materials&#8221;\/ MITSUKOSHI Art Gallery<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Group Exhibition &#8211; Contemporary Realism through Drawings&#8221;\/ NAGAI Gallery<\/td>\n<\/tr>\n<tr>\n<td>2015<\/td>\n<td>&#8220;ART STAGE SINGAPORE 2015&#8221; at Marina Bay Sands \/ Singapore<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ART FAIR TOKYO 2015&#8221; at Tokyo International Forum, Gallery KOGURE Booth<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Dreamland&#8221; at Corey Helford Gallery \/ Los Angeles, USA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;HER exhibition&#8221; at Art Centre, Silpakorn University \/ Bangkok, Thailand<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Nightmare In Wonderland Project Part2\u201d at Distinction Gallery \/ Escondido CA, USA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Nightmare In Wonderland Project Part1\u201d at Ayden Gallery \/ Vancouver, CANADA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Nightmare In Wonderland Project Part0\u201d at Rotofugi Gallery \/ Chicago, USA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;HAKKENDO Gallery opening exhibition&#8221; at HAKKENDO Gallery\uff08IID118\uff09\/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;TOBI WAVE&#8221; at Tokyo art Club<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;tripod kettle of January&#8221; at Gallery KUNIMATSU \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2014<\/td>\n<td>&#8220;The Spiral man&#8221; at LOWER AKIHABARA gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;To see \/ To paint&#8221; &#8211; Oil Painting Technique and Material Research Laboratory at the Museum of the Tokyo University of the Arts<\/td>\n<tr>\n<td><\/td>\n<td>&#8220;ART FAIR TOKYO 2014&#8221; at Tokyo International Forum, MITSUKOSHI Booth<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;NEWS 2014&#8221; at Art Gallery of Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Thinking Through Painting&#8221; at Art Plaza of Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Ghost&#8221; at Gallery KUNIMATSU \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2013<\/td>\n<td>&#8220;NEW CITY ART FAIR. Japanese Contemporary Art&#8221; at hpgrp GALLERY NEW YORK Store \/ NY, USA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;BAZAAR ART JAKARTA 2014&#8221; at BALLROOM THE RITZ-CARLTON JAKARTA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Kowaii \u2162&#8221; at art data bank\u00d7Hakkendo \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;RAFU&#8221; at Gallery KUNIMATSU \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;3 painters&#8221; at art gallery of SOGO Yokohama<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;MITSUKOSHI \u2013 Art exhibition&#8221; at the gallery of MITSUKOSHI in Nihonbashi<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Ghost&#8221; at Gallery KUNIMATSU \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td>2012<\/td>\n<td>&#8220;Nuit Blanche KYOTO 2012&#8221; at Institut fran\u00e7ais du Japon \u2013 Kansai<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Inter:sections Topology of a cultural encounter France:Japan&#8221; at Institut fran\u00e7ais du Japon \u2013 Kansai<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;YOUNG ART TAIPEI 2012&#8221; at Sunworld Dynasty Hotel Taipei \/ Taiwan<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Summer Arts Festival, Young Artists leading the new generation&#8221; at the gallery of MITSUKOSHI<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Asia Top Gallery Hotel Art Fair 2012&#8221; at Mandarin Oriental \/ Honkong<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Drawings recommendation&#8221; at Shorewood Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Tanzaku&#8221; ( art data bank \u00d7 Hakkend\u00f4) at art data bank \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Kowaii \u2161&#8221; at art data bank\u00d7Hakkendo \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;uyuhiko Yamamoto\u2019s selection \u2013 Favorites female artists&#8221; at the gallery of MITSUKOSHI in GINZA<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Affordable Art Fair Singapore&#8221; at F1 Pit Building \/ Singapore <\/td>\n<\/tr>\n<tr>\n<td>2011<\/td>\n<td>&#8220;Drawings recommandation&#8221; at Shorwood Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ULTRA vol.004&#8221; at SPIRAL GARDEN \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;A Daydream&#8221; at LOWER AKIHABARA gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;KOWAII&#8221; at Isetan Shinjuku Art Gallery \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Alpine Panels Picture Book Tanigawadake&#8221; at JR UENO station<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Tanzaku&#8221; at Art data bank\u00d7hakkendo \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Asia Top Gallery Hotel Art Fair 2011&#8221; at Mandarin Oriental \/ Honkong<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;YOUNG ART TAIPEI 2011&#8221; at Sunworld Dynasty Hotel Taipei \/ Taiwan<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Kowaii&#8221; at Art Ddata Bank * Hakkendo \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Affordable Art Fair Singapore&#8221; at F1 Pit Building \/ Singapore<\/td>\n<\/tr>\n<tr>\n<td>2010<\/td>\n<td>&#8220;SHIBUYA STYLE&#8221; at SEIBU SHIBUYA \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;ULTRA vol.003&#8221; at Spiral Garden \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;The Balloon Man&#8221; at Gallery LOWER Akihabara \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;FLAT CONVALENT BOND&#8221; at Gallery SPACE ANNEX \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Graduation exhibition&#8221; at the Museum of the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td>2009<\/td>\n<td>&#8220;Arianne essor&#8221; at the National Gallery of Armenia<\/td>\n<\/tr>\n<tr>\n<td>2007<\/td>\n<td>&#8220;Group exhibition&#8221; at the art store of the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>&#8220;Group exhibition&#8221; at the gallery TOHO-ART \/ Tokyo<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>Workshop in Minakami \/ Gunma<\/td>\n<\/tr>\n<tr>\n<td>2006<\/td>\n<td>&#8220;Graduation exhibition&#8221; at the Museum of the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td>2005<\/td>\n<td>&#8220;2 Persons&#8221; at the gallery of the Tokyo University of the Arts<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><u>Publications<\/u><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\u00a0\u00a0<\/td>\n<\/tr>\n<tr>\n<td>2023<\/td>\n<td><a href=\"https:\/\/pie.co.jp\/book\/i\/5714\/\" target=\"_blank\">&#8220;Twilight Beauty -Wistful woman in art-&#8220;<\/a> PIE International<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><a href=\"https:\/\/www.quarto.com\/books\/9780711279957\/the-art-of-fantasy\" target=\"_blank\">&#8220;The art of fantasy&#8221;<\/a> S. Elizabeth \/ Frances Lincoln<\/td>\n<\/tr>\n<tr>\n<td>2022<\/td>\n<td><a href=\"https:\/\/www.gei-shin.co.jp\/books\/books-5412\/\" target=\"_blank\">&#8220;Genzo Kitan&#8221;<\/a> Geijutsu Shinbunsha<\/td>\n<\/tr>\n<tr>\n<td>2020<\/td>\n<td><a href=\"https:\/\/www.gei-shin.co.jp\/books\/isbn978-4-87586-575-9\/\" target=\"_blank\">&#8220;BIJINGA Borderless vol.2&#8221;<\/a>\u3000Geijutsu Shinbunsha<\/td>\n<\/tr>\n<tr>\n<td>2017<\/td>\n<td><a href=\"https:\/\/www.shoeisha.co.jp\/book\/illustration2017\" target=\"_blank\">&#8220;illustration 2017&#8221;<\/a> Koji Hiraizumi \/ Shoeisha<\/td>\n<\/tr>\n<tr>\n<td>2016<\/td>\n<td><a href=\"https:\/\/victionary.com\/products\/asian-inspiration?variant=34667824152738\" target=\"_blank\">&#8220;Asian inspiration&#8221;<\/a> Viction:ary<\/td>\n<\/tr>\n<tr>\n<td>2015<\/td>\n<td><a href=\"https:\/\/beautifulbizarre.net\/\" target=\"_blank\">&#8220;Beautiful Bizarre Magazine&#8221;<\/a> issue 008<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><a href=\"http:\/\/www.psikeart.com\/artalisveris\/\" target=\"_blank\">&#8220;Psikeart&#8221;<\/a>.39<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><a href=\"http:\/\/www.gekkanbijutsu.co.jp\/\" target=\"_blank\">&#8220;Gekkan Bijutsu&#8221;<\/a> (Monthly Art magazine)<\/td>\n<\/tr>\n<tr>\n<td>2014<\/td>\n<td><a href=\"http:\/\/pie.co.jp\/search\/detail.php?ID=4495\" target=\"_blank\">&#8220;Japanese Erotic in Contemporary Art&#8221;<\/a> \/ PIE International + PIE BOOKS<\/td>\n<\/tr>\n<tr>\n<td>2013<\/td>\n<td><a href=\"http:\/\/www.books.com.tw\/products\/R030043816\" target=\"_blank\">&#8220;Dpi \u8a2d\u8a08\u63d2\u756b\u8a8c-\u9078\u81eaArt Quarter vol.4\u300a\u6697\u9ed1\u7cfb\u7e6a\u756b\u7cbe\u9078\u300b&#8221;<\/a><\/td>\n<\/tr>\n<tr>\n<td>2012<\/td>\n<td><a href=\"http:\/\/www.tomosha.com\/mado\/\" target=\"_blank\">&#8220;The window of arts&#8221;<\/a> No.342 \/ Seikatsu no Tomo Co.<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><a href=\"http:\/\/www.tomosha.com\/collectors\/\" target=\"_blank\">&#8220;Art Collectors'&#8221;<\/a> No.34 \/ Seikatsu no Tomo Co.<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><a href=\"http:\/\/geidai-gizai.com\/post\/86230339354\/\" target=\"_blank\">&#8220;Alpine Panels Picture Book Tanigawadake&#8221;<\/a> \/ Tokyo University of the Arts \u00d7 MINAKAMI<\/td>\n<\/tr>\n<\/table>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Artist statement Dreams are like strange stories, landscapes, our memory builds unconsciously. I draw what comes up from our unconscious, like hidden feelings reflected in our dreams. Since my studies in France (2007-2009), and also after experiencing the earthquake of March 2011 in Japan, I strongly felt, and was made aware of how the Japanese [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-293","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/pages\/293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/comments?post=293"}],"version-history":[{"count":145,"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/pages\/293\/revisions"}],"predecessor-version":[{"id":1962,"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/pages\/293\/revisions\/1962"}],"wp:attachment":[{"href":"https:\/\/www.gotsuko.com\/en\/wp-json\/wp\/v2\/media?parent=293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}